Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Wednesday, February 29, 2012

The Original Toei/Saban Contract

This has already been posted on Fuñaroboard, RangerCrew and Rangerboard forums and I will be quoting various username members from those forums. This is the original 1992 contract between Toei and Saban. Talking about number 14 in specifics, where it says 'spin-offs'---I think that doesn't necessarily mean a 'spin-off' like 'Angel' was off 'Buffy' or 'Empty Nest' was from Golden Girls, it means that too but could also include specials like the teamup specials or Hyper Battle OVAs.


Tommy Lawson of Rangercrew said:
With the previous discussion board for this topic down from Fuñaroboard, and knowing that perhaps there is a lot of speculation about what the agreements actually are between Toei and Disney are since there is no new Super Sentai adaptation for 2010, I've found information that will help explain things much more clearly. It appears the answer to why "BVS Entertainment" is used on the copyright notice of Disney-produced Power Rangers episodes has been right in front of us the whole time. This information are all taken from SEC Filings from back in the Fox Kids Worlwide days, which would become Fox Family Worldwide, and then ultimately ABC Family Worldwide, which is the current company listed.

Note that the original MMPR agreement never spells out the name of the sentai program as "Zyuranger" and is the reason we see "Galaxy Rangers" listed in the end credits, although the name "Galaxy Rangers" doesn't appear in the end credits of the original MMPR Season 1 episodes we're seeing now , so they're also not listed in the Reversioned End Credits either (I checked this). I am including here the most interesting and important info from the contract in the post. The entirety of it can be viewed here. For reference, the "Licensee" is Saban, and "Licensor" is Toei.
The whole contract (with some payment information deleted so it can be viewed by the public) can be viewed here.
 1. PROGRAM. A minimum of forty-fine (49) and a maximum of fifty-two (52)
-------
half-hour episodes of the live action children's television series entitled "Che
Je Yu Ranger" a/k/a "Galaxy Rangers".


3. TERRITORY. The "Territory" shall include:
---------

(a) SISI TERRITORY: The United States of America, its territories,
commonwealths and possessions, U.S. Military Installations located outside of
the U.S. and the U.S. Armed Forces Radio and Television Network.

(b) SINV TERRITORY: The Universe excluding the SISI Territory, Brazil,
Japan, Singapore, Thailand, Hong Kong, Malaysia, China, Korea, Taiwan,
Indonesia, Laos, Vietnam and Cambodia.

4. DELIVERY DATE. The episodes shall be delivered by Licensor to Licensee
-------------
on the following schedule:

(a) First 26 episodes prior to September 30, 1992;
(b) Next 8 episodes prior to October 31, 1992;
(c) Next 5 episodes prior to November 30, 1992;
(d) Next 4 episodes prior to December 31, 1992;
(e) Next 5 episodes prior to January 31, 1993;

EX-10.35 3rd Page of 20 TOC 1st Previous Next Bottom Just 3rd


(f) Next 4 episodes prior to February 28, 1993.

5. LICENSE FEE. [*********************************XX] per episode payable
-----------
as follows:

(a) [*********************************X] executed by Licensor;

(b) The [*********************************XX] upon Delivery of each such
episode in accordance with the delivery schedule in Paragraph 4 above as
follows:

(i) First 26 episodes: [******]
(ii) Next 8 episodes: [******]
(iii) Next 5 episodes: [******]
(iv) Next 4 episodes: [******]
(v) Next 5 episodes: [******]
(vi) Next 4 episodes: [******]

6. MERCHANDISING PARTICIPATION. Provided that Licensor is not in material
---------------------------
default hereunder, Licensor shall receive an amount equal to [******************
************************************************** ****************************XX
************************************************** ****XX] Notwithstanding
anything to the contrary contained in this Agreement, this Agreement, including
without limitation the rights and obligations of the parties herein,
[************************************]

7. LICENSED RIGHTS. Licensor hereby grants to SISI in the SISI Territory
---------------
and SINV in the SINV Territory the sole and exclusive rights ("Licensed
Rights"), under copyright or otherwise, during the Term, to: (a) adapt the
Program to be suitable for exploitation in the Territory, including, without
limitation, shooting new footage, adapting story lines and dialogue to
accommodate Licensee's international version, and incorporating existing footage
of the Program or other programs, all at Licensee's cost and responsibility and
at Licensee's discretion, and of a quality which is at least equal to that of
the original Program; (b) distribute, exhibit, lease, license, market, sell,
publicize, advertise, promote, perform and exploit the Program, and all dubbed
and other versions thereof and all elements, parts, characters,
characterizations or character names therein, either apart from or in
conjunction with the work, by way of All Media now known or hereafter devised,
including, without limitation, by way of Television Use, Theatrical Use, Non-
Theatrical Use, Video Cassette/Disc Distribution and Ancillary Distribution Use,
including, without limitation, by way of soundtrack albums and phonorecords,
music publishing, literary publishing, so-called "merchandising rights",
amusement and theme parks, and musical groups; (c) cut, edit, alter, add to,
subtract from, translate, dub in any languages and use outtakes of the Program
(specifically including, without limitation, the right to substitute all or part
of the music, effects and title). It is acknowledged that the music shall be
replaced for creative reasons and that consideration for the creators of the
original music is included in the License Fee; (d) include on the prints of the
Program and trailers thereof and in all advertising and publicity related thereto:
(i) Licensee's name, trademark, logo,
presentation announcement and copyright notice; (ii) the designation of Licensee
or any of its licensees as the distributor of the Program; and (iii) any
additional credits in connection with any adaptation of the Program; and (e) use
and license others to use Licensor's name and the name, voice, likeness and
biographical material concerning all persons and characters appearing in or
connected with the Program for advertising, publicity and trade purposes of
Licensee and its licensees and any sponsors of the Program.

14. ADDITIONAL EPISODES AND PRODUCTIONS. Licensor grants to Licensee the
-----------------------------------
exclusive option to acquire under the same terms and conditions herein: (a)
additional episodes of the Program; (b) each remake, sequel, prequel, spin-off,
series spin-off and feature film based on the Program or its underlying literary
material (including, without limitation, any character(s) therein); and (c) each
live action series which Licensor either presently owns or controls, or produces
or otherwise acquires within the period ("Option Period") commencing upon the
date hereof and ending eighteen (18) months after the first U.S. broadcast of
the Program (provided, however, that such eighteen (18) months shall commence no
later than September, 1993), such options to be exercisable by Licensee during
the Option Period.
 Xenotome of Rangerboard says:
No. They do not have the rights. It means Saban had exclusive first dibs on each season and that Toei could not sell the footage to someone else for more money. It was a security thing. We know for a fact it's not true because if Saban wanted team up movies he had to pay for them separately and it's why they didn't use them after Lightspeed. 
 Tommy Lawson says:
Let there be no doubt that from the very day this contract was signed, on August 21, 1992, Power Rangers was intended to be a merchandise driven show, and Item Number 6 shows that. Number 14 is THE big one for Disney, since in addition to this particular contract, there are amendments to it, that IMO absolutely 100% explain why "BVS Entertainment" is used for the Power Rangers copyright.

[LOGO OF SABAN ENTERTAINMENT]

August 26, 1994

Mr. Masoyoshi Endo
Deputy Director
Toei Company, Ltd.
2-17, 3-Chome, Ginza
Chuo-Ku, Tokyo 104 Japan

Dear Mr. Endo:

Saban International N.V. and Saban International Services, Inc. (collectively,
"Saban"), and Toei Company, Ltd. ("Toei"), have entered into a Distribution
Agreement dated August 21, 1992, and thereafter have entered into additional
distribution agreements pursuant to which Toei has granted Saban exclusive
rights in Che Je Yu Ranger a/k/a Galaxy Rangers, Metalder, Dai Ranger, Spielvan,
and Kaku Rangers. Pursuant to these agreements, Saban includes action footage
from Toei's programs in new programs produced by Saban. For example, action
footage from Galaxy Rangers and Dai Ranger is included Mighty Morphin Power
Rangers.

Saban has granted Toei the right to exploit, in Toei's reserved territories, the
new episodes Saban creates using Toei's material. Saban's term of rights in
Toei's material is ten years with an option to renew for an additional fifteen
years; Toei's rights in the episodes Saban creates using Toei's materials, such
as Mighty Morphin Power Rangers, is for the same term as Saban has from Toei.

Toei and Saban now agree that Saban's term of rights under the distribution
agreements mentioned above and under future distribution agreements for Toei
live-action series will be in perpetuity and that Toei's term of rights, in
Toei's reserved territories, in the programs Saban produces using Toei's
material also will be in perpetuity.

Thank you.

Sincerely,

/s/ Bill Josey

Bill Josey
Senior Vice President
Business Affairs

Mr. Masoyoshi Endo
Toei Company, Ltd.
August 26, 1994
Page 2

ALL TERMS AND CONDITIONS SET FORTH ON THE PRECEDING PAGE ARE AGREED TO AND
ACCEPTED:

TOEI COMPANY, LTD. SABAN INTERNATIONAL SERVICES, INC.

 Amendment:
Saban has granted Toei the right to exploit, in Toei's reserved territories, the new episodes Saban creates using Toei's material. Saban's term of rights in Toei's material is ten years with an option to renew for an additional fifteen years; Toei's rights in the episodes Saban creates using Toei's materials, such as Mighty Morphin Power Rangers, is for the same term as Saban has from Toei.


The reason I bring all of this up is because people always ask why Saban and Disney always have to use footage from the next Sentai and can't skip one or use an older Sentai--which is not explicitly answered here--- and also ask why not all the movies have been adapted. Before Disney, Saban bought the additional rights to the Ohranger movie, Ohranger vs. Kakuranger, GoGoV vs. Gingaman and used those. As for Disney, they didn't acquire rights from any of the movies or teamups---but did emulate a move from Abaranger vs. Hurricanger involving the girls Yellow and Blue. As for Samurai, they have indeed acquired Shinkenger vs. Go-Onger and the Shinkenger movie.

Tuesday, October 18, 2011

Captain America and Battle Japan

Toei had originally planned for Captain America to star in Battle Fever J with a group of newly created Captain characters from other nations, like Captain France and Captain Japan. However, in 1978, Captain America’s live action film rights were tied up with Universal Television, which was making TV movies starring Reb Brown (which Conan O' Brien used as a joke). The golden-age Marvel heroine Miss America was drafted as his replacement. The rest is history but how much did Battle Japan have in common with Captain America?


 Captain America was a skinny young man who was genetically altered to be an All-American Hitler smashing superhero. Battle Japan was a former National Defense Ministry officer. He is good at judo and karate. He is armed with a spear. He does a kung fu dance. Battle Japan never changed his body and wasn't from the past (well in the contents of the show when it originally aired). The first Miss America in BFJ was an FBI agent who joined the Fever team to avenge her father Bosner, who was slain by Egos. She is armed with throwing knives. After she was wounded by the Dracula Monster, she returned to the United States. The first Marvel Miss America, a teenaged heiress whose uncle was sponsoring a scientist who claimed to have gotten superpowers through a device that had been struck by lightning. Joyce, secretly tampering with the contraption during a thunderstorm, herself gained the ability to fly and great strength after lightning similarly struck (she originally had superhuman strength, as well as other powers, but after her few early appearances they were retconned).

Related: http://maskedmayhem.blogspot.com/2009/09/x-mens-karaoke-cousins.html

Thursday, June 10, 2010

Fans campaign for Stephen Lunsford to be the next Spider-Man

I don't think it's official yet but JustJared has put Stephen Lunsford (Kamen Rider Dragon Knight) in the running to be the lead in the upcoming Spider-Man reboot.

Sunday, November 8, 2009

Mighty Morphin Power Rangers Comic Books

Hamilton Comics first started the comics in 1994, I remember owing the first one (above). They were set during the time of Season Two, when Tommy lost his powers and they were fighting Lord Zedd, who got help from Finster. They did six issues.

They did four issues for 'Series 2.' The monsters looked nothing like the ones from the show and looked more like stereotypical monsters from comics of the 30's. Adam, Rocky, and Aisha joined later on.

They did three issues covering the events of the TV series from Season 1 to Season 2, the Mutiny. Some of the monsters were accurate, some had colors that were not accurate, new monsters and monsters that were just horribly off with new designs.

Sample monster.

Marvel took over in 1995 starting with an adaption of the movie, I have this issue. I love the cover. It was pretty accurate with the final version of the movie.

Marvel then did issues 7 issues of Ninja Rangers (MMPR Season 3) and VR Troopers on the other side. The monsters were a bit different and little better.

This monster looked a bit Kakuranger-esque, but not very.

In the Hamilton Comics, only one monster from Dairanger (the Cactus above) ever appeared in the comics. And some Godzilla villain-look-a-likes appeared as well (Mothra knock-off above).

And with Marvel, Pirantishead and Pudgy Pig came back and fought the Ninja Megazord. None of the Kakuranger monsters appeared in the Marvel comics.

There was also comic strips in the Power Rangers Magazine (with some horribly comedic monsters) and mini-comics that came in those bubble capsules you'd pay 25 cents for, I have the Trini one, I gotta scan it when my scanner gets fixed.

More on the Monsters on the Funaroboard Forum

Check out the issues on Comic Vine

VR Troopers and Masked Rider in Comic Books

VR Troopers shared issues with the Ninja Rangers for Marvel Comics. The VR Troopers were based on season 2, I don't think there was a Marvel comic issue with the season 1 Ryan. What I mean by Ninja Rangers is Season 3 of MMPR.

Saban's Masked Rider only had one issue that was made. It was made by Marvel, I have no idea what is inside--but it looks like the Power Ranger costumes are based on the Movie costumes.

MMPR: Dark Rangers in TV and Comics

The Dark Rangers first appeared in Season 2 two-parter "Green No More," five 'bad' teenagers that Lord Zedd swayed under a spell to pilot the Thunderzords as the Rangers gave away their powers. They were clearly re-colored Putty outfits and when I first saw them, I thought they were horrible. They never really fought the Rangers and just stood there---which was the product of the low-budget in the early days. I think they spent most of the budget with Lord Zedd. I would have used the Dairanger outfits and replaced the 'D' with a 'Z' and either repaint the Green Ranger as Black (like Black Space Ranger as Green A-Squad SPD) or just say because he's evil, he's green. But I figure they didn't even have enough money for that. These days with New Zealand, it could have been done.

These teens clearly were modeled after the Rangers (the first batch). Even though his name was never mentioned, the Red one was named Justin in the Closed Captions.

Tina's name was uttered but Zane's name was mentioned in the Closed Caption.

Blue's name was never mentioned or supplied and fans at PRU wikia, say that Pink's name was Hilary. Pink one was the only one not to resemble Kimberly, but because of her blonde hair--I think was a coincidence they went with Katherine in Season 3.

The Dark Rangers reappeared for the comics. Marvel Comics produced six issues from 1995-1996, based on Season three, taking the helm from Hamilton Comics. One issue dealt with Lord Zedd picking five individuals from different parts of the world, giving the Dark Rangers new identities and their outfits looked just like the Power Rangers. Even though the cover shows a White Ranger, there was no Dark White Ranger in the actual issue.

Osamu Tezuka from Japan, Fara Jukwa from Zimbabwe, Stanford Winner from the United States, Nelinda Valensisi from Columbia, and Marie Claire le Monde from France. I like how Black was African and Yellow was a dark skinned Hispanic girl and that the leader was Japanese!

The Dark Ranger piloted the Thunderzords against the Ninjazords, the Tigerzord appeared but the pilot was never seen nor was a Dark White Ranger. The issue had no conclusion and there was never a follow-up probably because the issues were discontinued.

Information for this blog has been collected from Rovang's Writer's Guide to the PR Universe, Power Rangers Universe Wikia, and Comicvine.

I will cover more on the comics soon, later today Sunday.

~ Lavender Ranger

Thursday, September 24, 2009

Six Degrees of Marvel

In 1939, Timely Publications began, and by the 1950s, it had generally become known as Atlas Comics. It adapted the name Marvel in 1961, and with the success of Spider-Man (who first appeared in Amazing Fantasy in 1962), it lead to a team-up with Toei Company Limited of Japan in 1978. Spider-Man was adapted into a tokusatsu with a robot and new origin, he would transformed with a brace. It only lasted one year. The second co-production between Marvel and Toei was Battle Fever J, which originally was going to be based on Captain America. It became a group series instead, taking a hint from Goranger and JAKQ, Battle Fever J started the Super Sentai franchise. Until 1994, Goranger and JAKQ were not counted as part of Super Sentai. Anyway, Marvel and Toei never collaborated again, Super Sentai continued but only under Toei's reign. Haim Saban found Sentai and decided to adapt it in the early 90's and made the Power Rangers franchise. In 2002, Disney bought Saban's share of Fox Kids and Fox Family, including the Power Rangers.

Disney started shooting the Power Rangers in New Zealand. In corporation with Disney, Toei shot footage for Mahou Sentai Magiranger (2005) and Jyuken Sentai Gekiranger (2007) in New Zealand. In 2006, Disney teamed up with Toei Animation to Robodiez, an action-adventure series that will combine live-action and CG animation. In 2008 it was announced Disney would make a short children’s animation series to be aired in April in Japan called Fireball. And recently it was announced that Disney bought Marvel. I think it is an interesting cycle. I think only some Spider-Man fans know about the tokustasu and mainstream people are unaware of this connection.

I also forgot to mention that Marvel produced Power Ranger comic book issues, they did it in 1995-1996, did six issues, featuring the Ninja Rangers, and VR Troopers (Season 2). VR Troopers had their own separate comic on the other side. Marvel started doing Power Ranger comics with the adaption of the MMPR Movie, PR comics had already existed before then.

Disney buying Marvel perhaps effecting its relationship with Toei has been discussed in the forum Rangercrew.

Saturday, September 5, 2009

What does Disney Owning Marvel have to do with Power Rangers?

What does Disney Owning Marvel have to do with Power Rangers?

In the opinion of this blogger that has been a Power Ranger fan since 1993 and have been in the internet fandom for ten years, I believe Disney wanted to a lock on the boys' market. Marvel is house of go-to boys franchise, the number one being Spider-Man. Many in the media believe Disney is weak in the boys' market and they want to tackle it. Well, they had one powerful pawn in the boys' market which was/is the Power Rangers. Unfortunately, they did not know how to wield it or/and they really couldn't wield it anywhere else. As I have mentioned before, the reason Disney has stop production on Power Rangers is because they no longer wanted to share profits with Toei and Bandai and wanted to do everything on their own and get all the revenue. Now, with Marvel, they have more avenues.

They still have to share with Marvel but it is just not one property. They have Spider-Man, the Hulk, Iron Man, the Avengers, Captain America, Thor, X-Men, The Avengers, and the list goes on and on. They can do animated series, TV movies, big movie features, etc. One non-Power Ranger fan can say Marvel is a bigger fish for Disney to tackle, a more of a sure thing. But Disney hasn't completely given up on Power Rangers, because they still have Super Legends merchandise and still have the copyright.

UPDATED 2/6/11
Now that Disney has returned Power Rangers to Saban and Saban has done a lot of promotion for the new season (Samurai), Disney has said that the reason they dropped PR was because mothers complained about the violence. But I am scratching my head in bewilderment at such a statement because the Marvel heroes are much more violent. I've seen Iron Man merchandise in Disney Store and Iron Man the movies are rated PG-13 and show lots of violence, much more than the play violence of Power Rangers. So again, I'm scratching my head as to why Disney spokespeople would say an obvious and weak excuse for dropping Power Rangers. Like Saban said, they didn't know what to do with it.

Sunday, April 6, 2008

Spider-Manno!

Previously Posted on September 2, 2006
Wanna see weird? Well, this is the famous Japanese Spider-Man , the tokusatsu. This version of was part of a deal that Marvel made with Toei, namely that for a four-year period, Toei could use Marvel's characters in any way they saw fit. So in 1978 a Spider-Man tokusatsu series was produced for Japanese television by Toei Company Ltd. While Spider-Man's costume was certainly based on the original, the storyline had little to do with the Marvel character. The series had a major impact on Japanese animation by popularizing the trend to use huge robots to defeat other giants despite being controlled by a human, a convention begun with shows like Jumborg Ace. This is the opening, yes the weirdest is his Leopard robot.



Previously Posted on September 2, 2006
on Spanengrish Ramblings